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	<title type="text">Filosofia della musica</title>
	<subtitle type="text">Scritti filosofici di Giovanni Piana</subtitle>
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	<updated>2022-02-07T21:52:25Z</updated>
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	<entry>
		<title>Filosofia della musica</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/117-filosofia-della-musica"/>
		<published>2010-11-12T15:59:38Z</published>
		<updated>2010-11-12T15:59:38Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/117-filosofia-della-musica</id>
		<author>
			<name>Giovanni Piana</name>
		<email>valentino.piana@tiscali.it</email>
		</author>
		<summary type="html">&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Versione integrale del testo&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=31&amp;Itemid=82&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;img src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; border=&quot;0&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt; Giovanni Piana, Filosofia della musica (&lt;span class=&quot;small&quot;&gt;1.55 MB&lt;/span&gt;)&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt; (pp. 345)&lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;Questo testo è distribuito anche da &lt;a href=&quot;http://localhost/piana/#.VZvfq_CLUl4&quot;&gt;ARIFS&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;e lo è stato, in precedenza, dal gruppo &lt;a href=&quot;http://www.gruppoacusma.com/index.html&quot;&gt;Acusma&lt;/a&gt; alla voce&lt;a href=&quot;http://www.gruppoacusma.com/bb/t-130-ini-P/filosofia-della-musica.html&quot;&gt; Bibliografia&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: comic sans ms,sans-serif;&quot;&gt;Questo  volume è stato segnalato al Premio Ugo Mursia per la Filosofia  dell'anno 1990  ed è stato pubblicato inizialmente dall'Editore  Angelo Guerini e Associati nel 1991. Si ringrazia l'Editore per la  gentile autorizzazione a questa versione digitale (2005).&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: comic sans ms,sans-serif; font-size: 14pt;&quot;&gt;NOTE E RECENSIONI&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: comic sans ms,sans-serif; font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/191-una-lettera-di-dino-formaggio-sulla-qfilosofia-della-musicaq&quot;&gt;Una lettera di Dino Formaggio&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/218-scambio-epistolare-con-antonio-serravezza-sulla-qfilosofia-della-musicaq&quot;&gt;Scambio epistolare con Antonio Serravezza&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/231-da-marcello-la-matina-osservazioni-sul-significato-della-musica&quot;&gt;Marcello La Matina, Osservazioni sul significato della musica&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/blog-categoria/184-recensione-di-fulvio-papi-alla-qfilosofia-della-musicaq&quot;&gt;Recensione di Fulvio Papi &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/210-recensione-di-enrico-fubini-alla-qfilosofia-della-musicaq&quot;&gt;Recensione di Enrico Fubini&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/287-alessandro-arbo-osservazioni-su-qfilosofia-della-musicaq&quot;&gt;Alessandro Arbo: Osservazioni da &quot;Il suono instabile&quot;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/246-carlo-migliaccio&quot;&gt;Recensione di Carlo Migliaccio&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/216-pierangelo-sequeri-la-seduzione-dei-suoni-con-una-lettera-di-giovanni-piana&quot;&gt;PierAngelo Sequeri. La seduzione dei suoni. &lt;br /&gt;Con una lettera di Giovanni Piana&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/201-recensione-di-michela-garda-e-scambio-epistolare-su-di-essa&quot;&gt;Recensione di Michela Garda e scambio epistolare su di essa&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/214-recensione-di-luisa-bonesio-alla-qfilosofia-della-musicaq&quot;&gt;Recensione di Luisa Bonesio&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/236-roberto-miraglia-recensione-alla-qfilosofia-della-musicaq&quot;&gt;Recensione di Roberto Miraglia&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;a href=&quot;http://localhost/piana/index.php/blog-categoria/187-andrea-garbuglia-scheda-della-filosofia-della-musica-di-g-piana&quot;&gt;Scheda  a cura di Andrea Garbuglia&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/212-nota-di-quirino-principe-sulla-qfilosofia-della-musicaq&quot;&gt;Nota di Quirino Principe&lt;/a&gt;  &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/196-piero-cresto-dina-sulla-qfilosofia-della-musicaq&quot;&gt;Scheda di Piero Cresto-Dina&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/211-scheda-di-stefano-catucci-alla-qfilosofia-della-musicaq&quot;&gt;Scheda di Stefano Catucci&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/213-pierfrancesco-matarazzo-la-musica-per-se&quot;&gt;Pierfrancesco Matarazzo, La musica per sé: una nuova edizione della “Filosofia della musica”&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/205-domande-e-risposte-sulla-qfilosofia-della-musicaq-intervista-a-giovanni-piana&quot;&gt;Domande e risposte sulla &quot;Filosofia della musica&quot; - Intervista&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/206-il-filosofo-in-ascolto-intervista-di-marina-verzoletto&quot;&gt;Il filosofo in ascolto - intervista a cura di M. Verzoletto&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/209-roberto-zambonini-lfilosofia-in-musicar-intervista-a-giovanni-piana&quot;&gt;«Filosofia in musica». Intervista a cura di Roberto Zambonini&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/264-una-lettera-di-margherita-di-carlo&quot;&gt;Una lettera di Margherita Di Carlo&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/270-nicola-di-stefano-consonanza-e-dissonanza&quot;&gt;Nicola Di Stefano&lt;/a&gt;&lt;/span&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/278-jean-pierre-caron-uma-filosofia-do-som&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/278-jean-pierre-caron-uma-filosofia-do-som&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Jean Pierre Caron&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/296-emanuele-ferrari-sulla-critica-della-posizione-semiologica-in-giovanni-piana&quot;&gt;Emanuele Ferrari: Sulla critica della posizione semiologica in Giovanni Piana&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/306-giovanni-guantiqinterrogare-filosoficamente-la-musicaq&quot;&gt;Giovanni Guanti: &quot;Interrogare filosoficamente la musica&quot;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;h2 style=&quot;text-align: center;&quot; /&gt;
</summary>
		<content type="html">&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Versione integrale del testo&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=31&amp;Itemid=82&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;img src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; border=&quot;0&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt; Giovanni Piana, Filosofia della musica (&lt;span class=&quot;small&quot;&gt;1.55 MB&lt;/span&gt;)&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt; (pp. 345)&lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;Questo testo è distribuito anche da &lt;a href=&quot;http://localhost/piana/#.VZvfq_CLUl4&quot;&gt;ARIFS&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;e lo è stato, in precedenza, dal gruppo &lt;a href=&quot;http://www.gruppoacusma.com/index.html&quot;&gt;Acusma&lt;/a&gt; alla voce&lt;a href=&quot;http://www.gruppoacusma.com/bb/t-130-ini-P/filosofia-della-musica.html&quot;&gt; Bibliografia&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: comic sans ms,sans-serif;&quot;&gt;Questo  volume è stato segnalato al Premio Ugo Mursia per la Filosofia  dell'anno 1990  ed è stato pubblicato inizialmente dall'Editore  Angelo Guerini e Associati nel 1991. Si ringrazia l'Editore per la  gentile autorizzazione a questa versione digitale (2005).&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: comic sans ms,sans-serif; font-size: 14pt;&quot;&gt;NOTE E RECENSIONI&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: comic sans ms,sans-serif; font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/191-una-lettera-di-dino-formaggio-sulla-qfilosofia-della-musicaq&quot;&gt;Una lettera di Dino Formaggio&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/218-scambio-epistolare-con-antonio-serravezza-sulla-qfilosofia-della-musicaq&quot;&gt;Scambio epistolare con Antonio Serravezza&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/231-da-marcello-la-matina-osservazioni-sul-significato-della-musica&quot;&gt;Marcello La Matina, Osservazioni sul significato della musica&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/blog-categoria/184-recensione-di-fulvio-papi-alla-qfilosofia-della-musicaq&quot;&gt;Recensione di Fulvio Papi &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/210-recensione-di-enrico-fubini-alla-qfilosofia-della-musicaq&quot;&gt;Recensione di Enrico Fubini&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/287-alessandro-arbo-osservazioni-su-qfilosofia-della-musicaq&quot;&gt;Alessandro Arbo: Osservazioni da &quot;Il suono instabile&quot;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/246-carlo-migliaccio&quot;&gt;Recensione di Carlo Migliaccio&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/216-pierangelo-sequeri-la-seduzione-dei-suoni-con-una-lettera-di-giovanni-piana&quot;&gt;PierAngelo Sequeri. La seduzione dei suoni. &lt;br /&gt;Con una lettera di Giovanni Piana&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/201-recensione-di-michela-garda-e-scambio-epistolare-su-di-essa&quot;&gt;Recensione di Michela Garda e scambio epistolare su di essa&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/214-recensione-di-luisa-bonesio-alla-qfilosofia-della-musicaq&quot;&gt;Recensione di Luisa Bonesio&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/236-roberto-miraglia-recensione-alla-qfilosofia-della-musicaq&quot;&gt;Recensione di Roberto Miraglia&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;a href=&quot;http://localhost/piana/index.php/blog-categoria/187-andrea-garbuglia-scheda-della-filosofia-della-musica-di-g-piana&quot;&gt;Scheda  a cura di Andrea Garbuglia&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/212-nota-di-quirino-principe-sulla-qfilosofia-della-musicaq&quot;&gt;Nota di Quirino Principe&lt;/a&gt;  &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/196-piero-cresto-dina-sulla-qfilosofia-della-musicaq&quot;&gt;Scheda di Piero Cresto-Dina&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/211-scheda-di-stefano-catucci-alla-qfilosofia-della-musicaq&quot;&gt;Scheda di Stefano Catucci&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/213-pierfrancesco-matarazzo-la-musica-per-se&quot;&gt;Pierfrancesco Matarazzo, La musica per sé: una nuova edizione della “Filosofia della musica”&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/205-domande-e-risposte-sulla-qfilosofia-della-musicaq-intervista-a-giovanni-piana&quot;&gt;Domande e risposte sulla &quot;Filosofia della musica&quot; - Intervista&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/206-il-filosofo-in-ascolto-intervista-di-marina-verzoletto&quot;&gt;Il filosofo in ascolto - intervista a cura di M. Verzoletto&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/209-roberto-zambonini-lfilosofia-in-musicar-intervista-a-giovanni-piana&quot;&gt;«Filosofia in musica». Intervista a cura di Roberto Zambonini&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/264-una-lettera-di-margherita-di-carlo&quot;&gt;Una lettera di Margherita Di Carlo&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/270-nicola-di-stefano-consonanza-e-dissonanza&quot;&gt;Nicola Di Stefano&lt;/a&gt;&lt;/span&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/278-jean-pierre-caron-uma-filosofia-do-som&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/278-jean-pierre-caron-uma-filosofia-do-som&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Jean Pierre Caron&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/296-emanuele-ferrari-sulla-critica-della-posizione-semiologica-in-giovanni-piana&quot;&gt;Emanuele Ferrari: Sulla critica della posizione semiologica in Giovanni Piana&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/306-giovanni-guantiqinterrogare-filosoficamente-la-musicaq&quot;&gt;Giovanni Guanti: &quot;Interrogare filosoficamente la musica&quot;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;h2 style=&quot;text-align: center;&quot; /&gt;
</content>
	</entry>
	<entry>
		<title>Barlumi per una filosofia della musica</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/72-barlumi-per-una-filosofia-della-musica"/>
		<published>2010-07-05T15:57:17Z</published>
		<updated>2010-07-05T15:57:17Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/72-barlumi-per-una-filosofia-della-musica</id>
		<author>
			<name>Administrator</name>
		<email>ugo.eccli@unimi.it</email>
		</author>
		<summary type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: 14pt;&quot;&gt;Queste note sono state  scritte prima e dopo la pubblicazione della mia &lt;em&gt;Filosofia della  musica&lt;/em&gt; (1991). Esse sono tratte da appunti di varia natura, citazioni,  frammenti di lezioni universitarie, annotazioni di lettura, spunti di  discussione, materiali didattici, ecc. Per comodità del lettore e per mettere  un po’ di ordine, il materiale è stato suddiviso in sezioni e le  annotazioni sono state raggruppate sotto titoletti orientativi. &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: 14pt;&quot;&gt;Data di  immissione in questo archivio: dicembre 2007.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=17&amp;Itemid=82&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; /&gt;Giovanni Piana,  Barlumi per una filosofia della musica (&lt;span class=&quot;small&quot;&gt;137.33 MB&lt;/span&gt;)&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/242-lettere-con-sergio-lanza#Barlumi&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Sergio Lanza: Qualche osservazione sul cap. XVII&lt;br /&gt;(&quot;La musica disumana&quot;) dei &quot;Barlumi&quot;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/237-commento-di-j-l-bolis-a-proposito-di-cage-nei-qbarlumi-per-una-filosofia-della-musicaq&quot;&gt;Commento di Jacopo Leone Bolis&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/291-due-parole-su-carlo-serra#Barlumi&quot;&gt;Commento di Carlo Serra&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: small;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;hr width=&quot;0&quot; style=&quot;width: 0px;&quot; /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: small;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: small;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
</summary>
		<content type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: 14pt;&quot;&gt;Queste note sono state  scritte prima e dopo la pubblicazione della mia &lt;em&gt;Filosofia della  musica&lt;/em&gt; (1991). Esse sono tratte da appunti di varia natura, citazioni,  frammenti di lezioni universitarie, annotazioni di lettura, spunti di  discussione, materiali didattici, ecc. Per comodità del lettore e per mettere  un po’ di ordine, il materiale è stato suddiviso in sezioni e le  annotazioni sono state raggruppate sotto titoletti orientativi. &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: 14pt;&quot;&gt;Data di  immissione in questo archivio: dicembre 2007.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=17&amp;Itemid=82&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; /&gt;Giovanni Piana,  Barlumi per una filosofia della musica (&lt;span class=&quot;small&quot;&gt;137.33 MB&lt;/span&gt;)&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/242-lettere-con-sergio-lanza#Barlumi&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Sergio Lanza: Qualche osservazione sul cap. XVII&lt;br /&gt;(&quot;La musica disumana&quot;) dei &quot;Barlumi&quot;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/237-commento-di-j-l-bolis-a-proposito-di-cage-nei-qbarlumi-per-una-filosofia-della-musicaq&quot;&gt;Commento di Jacopo Leone Bolis&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/291-due-parole-su-carlo-serra#Barlumi&quot;&gt;Commento di Carlo Serra&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: small;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;hr width=&quot;0&quot; style=&quot;width: 0px;&quot; /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: small;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,Times,serif; font-size: small;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
</content>
	</entry>
	<entry>
		<title>I compiti di una filosofia della musica brevemente esposti</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/115-i-compiti-di-una-filosofia-della-musica-brevemente-esposti"/>
		<published>2010-11-11T22:00:05Z</published>
		<updated>2010-11-11T22:00:05Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/115-i-compiti-di-una-filosofia-della-musica-brevemente-esposti</id>
		<author>
			<name>Giovanni Piana</name>
		<email>valentino.piana@tiscali.it</email>
		</author>
		<summary type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Il contenuto di questo testo è stato proposto nel corso della  Giornata di Studio sul tema &quot;Estetica musicale e Filosofia della musica:  passato, presente, futuro&quot; promossa in data 30 aprile 1996 da &quot;Il Saggiatore  Musicale&quot; cura di Giuseppina La Face Bianconi e Osvaldo Gambassi in  collaborazione con il Dipartimento di Musica e Spettacolo dell'Università degli  Studi di Bologna. &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo saggio è stato pubblicato in &lt;a href=&quot;http://users.unimi.it/%7Egpiana/demus.htm&quot;&gt;De Musica&lt;/a&gt;, 1997.&lt;/span&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;La versione inglese è stata pubblicata in &quot;Axiomathes&quot;,  n. 1-2 1998, pp. 213-222.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Esso compare in edizione a stampa nel vol. XI delle &lt;a href=&quot;http://localhost/piana/index.php/component/content/article/82-opere-complete/171-opere-complete-a-stampa&quot;&gt;Opere complete&lt;/a&gt;  intitolato &lt;a href=&quot;http://www.lulu.com/shop/giovanni-piana/saggi-di-filosofia-della-musica/paperback/product-20962684.html&quot;&gt;&lt;em&gt;Saggi di Filosofia della musica&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=33&amp;Itemid=82&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/pdf.png&quot; border=&quot;0&quot; /&gt;Giovanni Piana, I compiti di una filosofia della musica brevemente esposti (&lt;span class=&quot;small&quot;&gt;53.3 kB&lt;/span&gt;)&lt;/a&gt; (pp. 17)&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=34&amp;Itemid=82&quot;&gt;&lt;img src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; border=&quot;0&quot; /&gt; Giovanni Piana, Philosophy of Music and its Aims (&lt;span class=&quot;small&quot;&gt;49.36 kB&lt;/span&gt;)&lt;/a&gt; (pp. 16)&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
</summary>
		<content type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Il contenuto di questo testo è stato proposto nel corso della  Giornata di Studio sul tema &quot;Estetica musicale e Filosofia della musica:  passato, presente, futuro&quot; promossa in data 30 aprile 1996 da &quot;Il Saggiatore  Musicale&quot; cura di Giuseppina La Face Bianconi e Osvaldo Gambassi in  collaborazione con il Dipartimento di Musica e Spettacolo dell'Università degli  Studi di Bologna. &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo saggio è stato pubblicato in &lt;a href=&quot;http://users.unimi.it/%7Egpiana/demus.htm&quot;&gt;De Musica&lt;/a&gt;, 1997.&lt;/span&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;La versione inglese è stata pubblicata in &quot;Axiomathes&quot;,  n. 1-2 1998, pp. 213-222.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Esso compare in edizione a stampa nel vol. XI delle &lt;a href=&quot;http://localhost/piana/index.php/component/content/article/82-opere-complete/171-opere-complete-a-stampa&quot;&gt;Opere complete&lt;/a&gt;  intitolato &lt;a href=&quot;http://www.lulu.com/shop/giovanni-piana/saggi-di-filosofia-della-musica/paperback/product-20962684.html&quot;&gt;&lt;em&gt;Saggi di Filosofia della musica&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=33&amp;Itemid=82&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/pdf.png&quot; border=&quot;0&quot; /&gt;Giovanni Piana, I compiti di una filosofia della musica brevemente esposti (&lt;span class=&quot;small&quot;&gt;53.3 kB&lt;/span&gt;)&lt;/a&gt; (pp. 17)&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=34&amp;Itemid=82&quot;&gt;&lt;img src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; border=&quot;0&quot; /&gt; Giovanni Piana, Philosophy of Music and its Aims (&lt;span class=&quot;small&quot;&gt;49.36 kB&lt;/span&gt;)&lt;/a&gt; (pp. 16)&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
</content>
	</entry>
	<entry>
		<title>Album per la teoria greca della musica</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/118-album-per-la-teoria-greca-della-musica"/>
		<published>2010-11-12T18:05:03Z</published>
		<updated>2010-11-12T18:05:03Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/118-album-per-la-teoria-greca-della-musica</id>
		<author>
			<name>Giovanni Piana</name>
		<email>valentino.piana@tiscali.it</email>
		</author>
		<summary type="html">&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di  immissione in questo archivio: aprile 2010&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/images/stories/louvre_09_tav038b.gif&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=67&amp;Itemid=82&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; /&gt; Album per la teoria greca della musica (&lt;span class=&quot;small&quot;&gt;96.58 MB&lt;/span&gt;)&lt;/a&gt; (pp. 561)&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt;Stefano Cardini&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&quot;&lt;a href=&quot;http://www.phenomenologylab.eu/index.php/2010/06/album-per-la-musica-greca/&quot;&gt;Nel  suo Album per la teoria greca della musica, Giovanni Piana va alle radici  fenomenologiche del Cosmo antico&lt;/a&gt;&quot;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; Questa recensione è stata proposta anche  in&lt;a href=&quot;http://www.phenomenologylab.eu/index.php/2010/06/greek-theory-of-music/&quot;&gt; traduzione inglese&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: georgia,palatino; font-size: 14pt;&quot;&gt;Commenti&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/279-una-lettera-di-luis-alberto-molina-rojas&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Una lettera di Luis Alberto Molina Rojas&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/290-una-lettera-di-alessandro-dellanna&quot;&gt;Una lettera di Alessandro Dell'Anna&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/325-colloqui-con-carlo-alessandro-landini#album&quot;&gt;Carlo Alessandro Landini&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;span style=&quot;font-size: 14pt;&quot;&gt; 
&lt;hr /&gt;
&lt;hr /&gt;
&lt;/span&gt; 
</summary>
		<content type="html">&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di  immissione in questo archivio: aprile 2010&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/images/stories/louvre_09_tav038b.gif&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=67&amp;Itemid=82&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; /&gt; Album per la teoria greca della musica (&lt;span class=&quot;small&quot;&gt;96.58 MB&lt;/span&gt;)&lt;/a&gt; (pp. 561)&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt;Stefano Cardini&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&quot;&lt;a href=&quot;http://www.phenomenologylab.eu/index.php/2010/06/album-per-la-musica-greca/&quot;&gt;Nel  suo Album per la teoria greca della musica, Giovanni Piana va alle radici  fenomenologiche del Cosmo antico&lt;/a&gt;&quot;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; Questa recensione è stata proposta anche  in&lt;a href=&quot;http://www.phenomenologylab.eu/index.php/2010/06/greek-theory-of-music/&quot;&gt; traduzione inglese&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: georgia,palatino; font-size: 14pt;&quot;&gt;Commenti&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/279-una-lettera-di-luis-alberto-molina-rojas&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Una lettera di Luis Alberto Molina Rojas&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/290-una-lettera-di-alessandro-dellanna&quot;&gt;Una lettera di Alessandro Dell'Anna&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/325-colloqui-con-carlo-alessandro-landini#album&quot;&gt;Carlo Alessandro Landini&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;span style=&quot;font-size: 14pt;&quot;&gt; 
&lt;hr /&gt;
&lt;hr /&gt;
&lt;/span&gt; 
</content>
	</entry>
	<entry>
		<title>Alle origini della teoria della tonalità</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/114-alle-origini-della-teoria-della-tonalita"/>
		<published>2010-11-11T21:37:37Z</published>
		<updated>2010-11-11T21:37:37Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/114-alle-origini-della-teoria-della-tonalita</id>
		<author>
			<name>Giovanni Piana</name>
		<email>valentino.piana@tiscali.it</email>
		</author>
		<summary type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo testo contiene esempi musicali che sono stati direttamente incorporati nella versione PDF.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Immissione in questo Archivio: 2005&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/images/stories/fig_14a_diapason.gif&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=109&amp;Itemid=82&quot; class=&quot;doclink&quot;&gt;&lt;img border=&quot;0&quot; alt=&quot;icon&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; /&gt;Giovanni Piana, Alle origini della teoria della tonalità (&lt;span class=&quot;small&quot;&gt;1.77 MB&lt;/span&gt;)&lt;/a&gt; &lt;span class=&quot;doclink&quot;&gt;(pp. 146)&lt;/span&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=109&amp;Itemid=82&quot; class=&quot;doclink&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;
</summary>
		<content type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo testo contiene esempi musicali che sono stati direttamente incorporati nella versione PDF.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Immissione in questo Archivio: 2005&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/images/stories/fig_14a_diapason.gif&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=109&amp;Itemid=82&quot; class=&quot;doclink&quot;&gt;&lt;img border=&quot;0&quot; alt=&quot;icon&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; /&gt;Giovanni Piana, Alle origini della teoria della tonalità (&lt;span class=&quot;small&quot;&gt;1.77 MB&lt;/span&gt;)&lt;/a&gt; &lt;span class=&quot;doclink&quot;&gt;(pp. 146)&lt;/span&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=109&amp;Itemid=82&quot; class=&quot;doclink&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;
</content>
	</entry>
	<entry>
		<title>La serie delle serie dodecafoniche e il triangolo di Sarngadeva</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/116-la-serie-delle-serie-dodecafoniche-e-il-triangolo-di-sarngadeva"/>
		<published>2010-11-12T00:02:18Z</published>
		<updated>2010-11-12T00:02:18Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/116-la-serie-delle-serie-dodecafoniche-e-il-triangolo-di-sarngadeva</id>
		<author>
			<name>Giovanni Piana</name>
		<email>valentino.piana@tiscali.it</email>
		</author>
		<summary type="html">&lt;div /&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo testo è stato pubblicato in De Musica, Internet, IV, 2000.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione in questo archivio: Settembre  2000&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img width=&quot;63&quot; border=&quot;0&quot; height=&quot;50&quot; src=&quot;http://localhost/piana/images/stories/dm4sar07.jpg&quot; /&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=32&amp;Itemid=82&quot; class=&quot;doclink&quot;&gt;&lt;img border=&quot;0&quot; alt=&quot;icon&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; /&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: 14pt;&quot;&gt; Giovanni Piana, La serie delle serie dodecafoniche e il triangolo di Sarngadeva (&lt;span class=&quot;small&quot;&gt;257.02 kB&lt;/span&gt;)&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: 14pt;&quot;&gt; (pp. 25)&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/295-la-lettura-cosmologica-del-triangolo-di-sarngadeva-di-giovanni-ferrero&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-family: arial,helvetica,sans-serif;&quot;&gt;La lettura cosmologica del triangolo di Sarngadeva di Giovanni Ferrero&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/295-la-lettura-cosmologica-del-triangolo-di-sarngadeva-di-giovanni-ferrero&quot;&gt; &lt;/a&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-family: arial,helvetica,sans-serif;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;br /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
</summary>
		<content type="html">&lt;div /&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo testo è stato pubblicato in De Musica, Internet, IV, 2000.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione in questo archivio: Settembre  2000&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img width=&quot;63&quot; border=&quot;0&quot; height=&quot;50&quot; src=&quot;http://localhost/piana/images/stories/dm4sar07.jpg&quot; /&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=32&amp;Itemid=82&quot; class=&quot;doclink&quot;&gt;&lt;img border=&quot;0&quot; alt=&quot;icon&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; /&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: 14pt;&quot;&gt; Giovanni Piana, La serie delle serie dodecafoniche e il triangolo di Sarngadeva (&lt;span class=&quot;small&quot;&gt;257.02 kB&lt;/span&gt;)&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: 14pt;&quot;&gt; (pp. 25)&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/295-la-lettura-cosmologica-del-triangolo-di-sarngadeva-di-giovanni-ferrero&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-family: arial,helvetica,sans-serif;&quot;&gt;La lettura cosmologica del triangolo di Sarngadeva di Giovanni Ferrero&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/295-la-lettura-cosmologica-del-triangolo-di-sarngadeva-di-giovanni-ferrero&quot;&gt; &lt;/a&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-family: arial,helvetica,sans-serif;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;br /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
</content>
	</entry>
	<entry>
		<title>Il cromatismo</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/113-il-cromatismo"/>
		<published>2010-11-11T15:35:36Z</published>
		<updated>2010-11-11T15:35:36Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/113-il-cromatismo</id>
		<author>
			<name>Giovanni Piana</name>
		<email>valentino.piana@tiscali.it</email>
		</author>
		<summary type="html">&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo saggio contiene esempi musicali che sono direttamente  incorporati nella versione PDF.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Il loro ascolto richiede Adobe Reader 9 o  superiori.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione  in questo archivio: agosto 2004&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/tastiera.gif&quot; border=&quot;0&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=56&amp;Itemid=82&quot;&gt;&lt;img src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; border=&quot;0&quot; /&gt; Giovanni Piana, Il cromatismo (&lt;span class=&quot;small&quot;&gt;3.72 MB&lt;/span&gt;)&lt;/a&gt; &lt;span class=&quot;doclink&quot;&gt;(pp. 93)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;doclink&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Questo testo è pubblicato anche a stampa insieme al saggio &quot;L'intervallo&quot;. Puoi in ogni caso scaricare gli esempi sonori in esso contenuti.&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=cat_view&amp;gid=80&amp;Itemid=&quot;&gt;&lt;/a&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=187&amp;Itemid=&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/altoparlante.jpg&quot; /&gt;Esempi sonori del saggio Il cromatismo&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 18pt;&quot; class=&quot;doclink&quot;&gt;Commenti&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/242-lettere-con-sergio-lanza#Ornamentazione&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Sergio Lanza&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
</summary>
		<content type="html">&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo saggio contiene esempi musicali che sono direttamente  incorporati nella versione PDF.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Il loro ascolto richiede Adobe Reader 9 o  superiori.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione  in questo archivio: agosto 2004&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/tastiera.gif&quot; border=&quot;0&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=56&amp;Itemid=82&quot;&gt;&lt;img src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; border=&quot;0&quot; /&gt; Giovanni Piana, Il cromatismo (&lt;span class=&quot;small&quot;&gt;3.72 MB&lt;/span&gt;)&lt;/a&gt; &lt;span class=&quot;doclink&quot;&gt;(pp. 93)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;doclink&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Questo testo è pubblicato anche a stampa insieme al saggio &quot;L'intervallo&quot;. Puoi in ogni caso scaricare gli esempi sonori in esso contenuti.&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=cat_view&amp;gid=80&amp;Itemid=&quot;&gt;&lt;/a&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=187&amp;Itemid=&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/altoparlante.jpg&quot; /&gt;Esempi sonori del saggio Il cromatismo&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 18pt;&quot; class=&quot;doclink&quot;&gt;Commenti&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/242-lettere-con-sergio-lanza#Ornamentazione&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Sergio Lanza&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
</content>
	</entry>
	<entry>
		<title>L'intervallo</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/112-lintervallo"/>
		<published>2010-11-11T14:25:28Z</published>
		<updated>2010-11-11T14:25:28Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/112-lintervallo</id>
		<author>
			<name>Giovanni Piana</name>
		<email>valentino.piana@tiscali.it</email>
		</author>
		<summary type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo testo contiene alcuni esempi sonori che sono direttamente  incluse nel file pdf.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Per ascoltarli è necessario Acroread vers. 9 o  superiori.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione in questo archivio: dicembre 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/civet.gif&quot; border=&quot;0&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=57&amp;Itemid=82&quot;&gt;&lt;img src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; border=&quot;0&quot; /&gt; Giovanni Piana. L'intervallo (2.45 MB)&lt;/a&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;(pp. 94)&lt;/p&gt;
&lt;p&gt;
&lt;hr /&gt;
&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Questo testo è pubblicato anche a stampa insieme al saggio  &quot;Il cromatismo&quot; (Lulu.com). Puoi in ogni caso scaricare gli esempi sonori in esso  contenuti.&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=188&amp;Itemid=&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/altoparlante.jpg&quot; /&gt;Esempi sonori del saggio L'intervallo&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
</summary>
		<content type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo testo contiene alcuni esempi sonori che sono direttamente  incluse nel file pdf.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Per ascoltarli è necessario Acroread vers. 9 o  superiori.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione in questo archivio: dicembre 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/civet.gif&quot; border=&quot;0&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=57&amp;Itemid=82&quot;&gt;&lt;img src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; border=&quot;0&quot; /&gt; Giovanni Piana. L'intervallo (2.45 MB)&lt;/a&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;(pp. 94)&lt;/p&gt;
&lt;p&gt;
&lt;hr /&gt;
&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Questo testo è pubblicato anche a stampa insieme al saggio  &quot;Il cromatismo&quot; (Lulu.com). Puoi in ogni caso scaricare gli esempi sonori in esso  contenuti.&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=188&amp;Itemid=&quot;&gt;&lt;img src=&quot;http://localhost/piana/images/stories/altoparlante.jpg&quot; /&gt;Esempi sonori del saggio L'intervallo&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: times new roman,times;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
</content>
	</entry>
	<entry>
		<title>Teoria del sogno e dramma musicale. La metafisica della musica di Schopenhauer</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/111-teoria-del-sogno-e-dramma-musicale-la-metafisica-della-musica-di-schopenhauer"/>
		<published>2010-11-11T13:23:22Z</published>
		<updated>2010-11-11T13:23:22Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/111-teoria-del-sogno-e-dramma-musicale-la-metafisica-della-musica-di-schopenhauer</id>
		<author>
			<name>Giovanni Piana</name>
		<email>valentino.piana@tiscali.it</email>
		</author>
		<summary type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo volume è stato pubblicato dall'Editore Angelo Guerini e  Associati nel 1997. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Si ringrazia l'Editore per la gentile autorizzazione a  questa versione digitale.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione in questo archivio: settembre  2005&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/images/stories/dali.jpg&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=58&amp;Itemid=82&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; /&gt; Giovanni Piana, Teoria del sogno e dramma musicale. La metafisica della musica di Schopenhauer (&lt;span class=&quot;small&quot;&gt;1.69 MB&lt;/span&gt;)&lt;/a&gt;&lt;span class=&quot;doclink&quot;&gt; (pp. 122)&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/202-lettera-di-quirino-principe&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Lettera di Quirino Principe&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/203-recensione-di-enrico-fubini-a-qteoria-del-sogno-e-dramma-musicaleq&quot;&gt;Recensione di Enrico Fubini&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/215-scheda-di-alessandro-arbo-sulla-qfilosofia-della-musicaq&quot;&gt;Scheda di Alessandro Arbo&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/289-la-qserata-schopenhauerq-una-cronaca&quot;&gt;La Serata Schopenhauer&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
</summary>
		<content type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo volume è stato pubblicato dall'Editore Angelo Guerini e  Associati nel 1997. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Si ringrazia l'Editore per la gentile autorizzazione a  questa versione digitale.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione in questo archivio: settembre  2005&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/images/stories/dali.jpg&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;a class=&quot;doclink&quot; href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=58&amp;Itemid=82&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; alt=&quot;icon&quot; /&gt; Giovanni Piana, Teoria del sogno e dramma musicale. La metafisica della musica di Schopenhauer (&lt;span class=&quot;small&quot;&gt;1.69 MB&lt;/span&gt;)&lt;/a&gt;&lt;span class=&quot;doclink&quot;&gt; (pp. 122)&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/202-lettera-di-quirino-principe&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Lettera di Quirino Principe&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/203-recensione-di-enrico-fubini-a-qteoria-del-sogno-e-dramma-musicaleq&quot;&gt;Recensione di Enrico Fubini&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/215-scheda-di-alessandro-arbo-sulla-qfilosofia-della-musicaq&quot;&gt;Scheda di Alessandro Arbo&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;doclink&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/289-la-qserata-schopenhauerq-una-cronaca&quot;&gt;La Serata Schopenhauer&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
</content>
	</entry>
	<entry>
		<title>Mondrian e la musica</title>
		<link rel="alternate" type="text/html" href="http://localhost/piana/index.php/filosofia-della-musica/110-mondrian-e-la-musica"/>
		<published>2010-11-11T12:58:02Z</published>
		<updated>2010-11-11T12:58:02Z</updated>
		<id>http://localhost/piana/index.php/filosofia-della-musica/110-mondrian-e-la-musica</id>
		<author>
			<name>Giovanni Piana</name>
		<email>valentino.piana@tiscali.it</email>
		</author>
		<summary type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo volume è stato pubblicato dall'Editore Angelo Guerini e Associati&lt;br /&gt;nel 1995. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Si ringrazia l'Editore per la gentile autorizzazione a questa versione digitale.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione in questo archivio: settembre 2005&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=59&amp;Itemid=82&quot; class=&quot;doclink&quot;&gt;&lt;img border=&quot;0&quot; alt=&quot;icon&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; /&gt; Giovanni Piana, Mondrian e la musica (&lt;span class=&quot;small&quot;&gt;3.47 MB&lt;/span&gt;)&lt;/a&gt; (pp. 110)&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/133-conversazione&quot;&gt;Conversazione tra Guido Salvetti e Giovanni Piana su &quot;Mondrian e la musica&quot;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/245-pierangelo-sequeri-la-quadratura-del-tempo-su-mondrian-e-la-musica&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;PierAngelo Sequeri.&lt;br /&gt;La quadratura del tempo. Relazione pura e architettura dei suoni nella pittura di Piet Mondrian&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/234-claudia-gualdana-mondrian-jazzista-del-colore&quot;&gt;&quot;Mondrian jazzista del colore&quot; di Claudia Gualdana&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/227-scheda-di-giuseppina-la-face-bianconi-su-qmondrian-e-la-musicaq&quot;&gt;Scheda di Giuseppina La Face Bianconi&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/197-piero-cresto-dina-su-qmondrian-e-la-musicaq&quot;&gt;Scheda di Piero Cresto-Dina&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/226-citazioni-e-commenti-di-talia-pecker-berio-su-qmondrian-e-la-musicaq&quot;&gt;Citazioni e commenti di Talia Pecker Berio&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/285-roberto-grandicelli-su-mondrian&quot;&gt;Roberto Grandicelli su Mondrian&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
</summary>
		<content type="html">&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Questo volume è stato pubblicato dall'Editore Angelo Guerini e Associati&lt;br /&gt;nel 1995. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Si ringrazia l'Editore per la gentile autorizzazione a questa versione digitale.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;Data di immissione in questo archivio: settembre 2005&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php?option=com_docman&amp;task=doc_download&amp;gid=59&amp;Itemid=82&quot; class=&quot;doclink&quot;&gt;&lt;img border=&quot;0&quot; alt=&quot;icon&quot; src=&quot;http://localhost/piana/components/com_docman/themes/default/images/icons/16x16/pdf.png&quot; /&gt; Giovanni Piana, Mondrian e la musica (&lt;span class=&quot;small&quot;&gt;3.47 MB&lt;/span&gt;)&lt;/a&gt; (pp. 110)&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/133-conversazione&quot;&gt;Conversazione tra Guido Salvetti e Giovanni Piana su &quot;Mondrian e la musica&quot;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/245-pierangelo-sequeri-la-quadratura-del-tempo-su-mondrian-e-la-musica&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;PierAngelo Sequeri.&lt;br /&gt;La quadratura del tempo. Relazione pura e architettura dei suoni nella pittura di Piet Mondrian&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/234-claudia-gualdana-mondrian-jazzista-del-colore&quot;&gt;&quot;Mondrian jazzista del colore&quot; di Claudia Gualdana&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/227-scheda-di-giuseppina-la-face-bianconi-su-qmondrian-e-la-musicaq&quot;&gt;Scheda di Giuseppina La Face Bianconi&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/197-piero-cresto-dina-su-qmondrian-e-la-musicaq&quot;&gt;Scheda di Piero Cresto-Dina&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/89-note-e-recensioni/226-citazioni-e-commenti-di-talia-pecker-berio-su-qmondrian-e-la-musicaq&quot;&gt;Citazioni e commenti di Talia Pecker Berio&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;a href=&quot;http://localhost/piana/index.php/materiali-integrativi/90-citazioni-e-commenti/285-roberto-grandicelli-su-mondrian&quot;&gt;Roberto Grandicelli su Mondrian&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
</content>
	</entry>
</feed>
