Fenomenologia negli USA

Bartholomew Douglas Roy

A Phenomenology of Music: Themes Concerning the Musical Object and Implications for Teaching and Learning. Ph. D. Diss., Case Western Reserve University, 1985.
"Preamble to a Phenomenology of Music", Journal of Musicological Research, V/4, 1985, pp. 319-360, ora in AA. VV. Understanding the Musical Experience, a cura di F. J. Smith, New York/London/Paris, Gordon & Breach, pp. 1-42.

Batstone Philip

"Musical Analysis as Phenomenology", Perspective of New Music, II, 1969, pp. 94-110.

Carpenter Patricia

"Musical Form Regained", Journal of Philosophy, LXII, 1965, pp. 36-48.
"The Musical Object", Current Musicology, V, 1967, pp.56-87.

Chatterjee Margaret

"Towards a Phenomenology of Time-consciousness in Music", Diogenes, LXXIV, 1971, pp. 49-56.

Clifton Thomas

"Training in Music Theory: Process and Product", Journal of Music Theory, XIII/1, 1969, pp. 38-65. "An Application of Goethe's Concept of Steigerung to the Morphology of Diminution", Journal of Music Theory, XIV/2, 1970, pp. 165-189.
"Recensione a: Pike, A. "A Phenomenological Analysis of Musical Experience", Journal of Music Theory, XIV/2, 1970, pp. 237-246.
"Music and the A Priori", Journal of Music Theory, XVII/1, 1973, pp. 66-85.
"Some Comparisons between Intuitive and Scientific Descriptions of Music", Journal of Music Theory, XIX/1, 1975, pp. 66-110.
"Music as Constituted Object", Music and Man, II, 1976, pp. 73-98.
"The Poetics of Musical Silence", Musical Quarterly, LXII, 1976, pp. 163-181.
Music as Heard: A Study in Applied Phenomenology, Yale University Press, New Haven, 1983.

Ferrara Lawrence

Referential Meaning in Music: A Conceptual Model Based on the Philosophy of M. Heidegger, Ph. D. Diss., School of Education, Health, Nursing and Arts Professions of New York University, New York, 1978.
"Allowing Oneself to Be Moved. A Phenomenology of Music Evaluation.", in: Qualitative Evaluation in the Arts, a cura di David Ecker, New York University Press, New York, 1981.
"Research and Practice in Music Education: the Problem of Dislocation", College Music Symposium, XXII, 1982, pp. 65-72.
"Phenomenology as Tool for Musical Analysis", Musical Quarterly, LXX/3, 1984, pp. 355-373.
"Music in General Studies a Look at Content and Method", College Music Symposium, XXVI, 1986, pp. 121-129.
Philosophy and the Analysis of Music: Bridges to Musical Sound and Reference, Excelsior Music Publishing Co., New York, 1991.

Filler Susan

Recensione a: Green David, B., Mahler, Consciousness and Temporality, Gordon and Breach, New York, 1984, Journal of Musicological Research, VII, 1985, pp.124-130.

Fisher George, Lochhead Judith Irene

"Analysis, Hearing, and Performance", Indiana Theory Review, XIV/1, 1993, pp. 1-36.

Floyd Sheril Lynn

A Phenomenological Account of Aesthetics Perception and Its Implications for Aesthetics Theory, Ph. D. Diss., Vanderbilt University, 1979.

Foster Effemae Morrison

A Penomenological Study to the Foundations of Music, Ph. D. Diss., Florida State University, 1972

Fox Charles Warren

"Modern Counterpoint: A Phenomenological Approach, Notes, December 1948, pp. 50-62.

Goldenzweig Hugo

The Chopin Etudes: A Schenkerian and Phenomenological Analysis, Ph. D. Diss., New York University, 1986

Greene David

Temporal Processes in Beethoven's Music, Gordon and Breach, New york, 1982.
Mahler, Consciousness and Temporality, Gordon and Breach, New York, 1984.

Ihde Don

"Discussion of sound and music.", in: The Fourth Lexington Conference of Pure and Applied Phenomenology, a cura di E. W. Strauss, R. M. Griffith., Duquesne University Press, Pittsburgh, Editions E. Nauwelaerts, Louvain, 1967.
Sense and Significance, Duquesne University Press, Pittsburgh, 1973.
Listening and Voice: a Phenomenology of Sound, Ohio University Press, Athens, 1976.

Jacobs Jo Ellen

Toward an Ontology of Musical Works of Art, Ph. D. Diss., Washington University, St. Louis, 1977.

Johnston Keith

"Musical Essence and perception", Perspective of New Music, XIX, 1980/1981.

Lewin David

"Music Theory, Phenomenology and Modes of Perception", Music Perception, III/2, 1986, pp. 327-392.

Lochhead Judith Irene

"Some Musical Application of Phenomenology", Indiana Theory Rewiew, III/3, 1979, pp. 18-27.
The Temporal Structure of Recent Music: A Phenomenological Investigation, Ph. D. Diss., State University of New York at Stony Brook, New York, 1982.
"Temporal Structure in Recent Music", Journal of Musicological Research, VI/1-2, 1986, pp. 49-93. Ora in AA. VV. Understanding the Musical Experience, a cura di F. J. Smith, Gordon & Breach, New York/London/Paris, 1989, pp. 121-165.

Magnusdottir Anna M.

Toward a Phenomenology of Music, University of Illinois, Urbana, 1987.

Maniates Maria Rika

"Sound Silence and Time: Towards a Fundamental Ontology of Music", Courrent Musicology, III, 1966, pp. 59-64.

Pike Alfred

A Phenomenological Analysis of Music and Other Related Essays, St. John's University Press, New York, 1970.
"Fondational Aspects of Musical Perception: A Phenomenological Analysis", Philosopy and Phenomneological Research, XXXIV/3, 1974, pp. 429-434.

Shearer Robert Lawrence

A Phenomenology of Aesthetics Value in Music, Ph. D. Diss., Florida State University, 1976.

Schutz Alfred

"Fragments on the Phenomenology of Music", Music and Man, II/1-2, 1976, pp. 6-71.
Making Music Together: a Study on Social Relationship, in Collected Papers II: Studies in Social Theory, Den Haag, Martinus Nijhoff, 1964, pp. 159-178.
Mozart and the Philosophers, in Collected Papers II, : Studies in Social Theory, Den Haag, Martinus Nijhoff, 1964, pp. 179-200.

Nota: Tutti e tre questi scritti sono tradotti in italiano in:
A. Schutz, Frammenti di fenomenologia della musica, a cura di Nicola Pedone, Guerini e Associati, Milano 1996.

Shearer Robert Lawrence

A Phenomenology of Aesthetic Value in Music, Florida State University, 1976.

Silliman Cutler

"Familiar Music and the A Priori: Beethoven's Seventh Symphony", Journal of Music Theory, XX/1, 1976, pp. 215-225.

Skarda Christine

"Alfred Schutz's Phenomenology of Music", Journal of Musicological Research, III, 1979, pp. 75-132.

Smith Joseph

"Vers une phénoménologie du son", Revue de Metaphysique et de Morale, agosto 1968, pp. 328-343.
"Toward a Phenomenology of Musical Aesthetics.", in: Aisthesis and Aesthetics. The Fourth Lexington Conference of Pure and Applied Phenomenology, a cura di E. W. Strauss, R. M. Griffith., Duquesne University Press, Pittsburgh, Editions E. Nauvelaerts, Louvain, 1970, pp. 197-228. Ora in Smith Joseph, The Experiencing of Musical Sound: Prelude to a Phenomenology of Music, Gordon & Breach, New York/London/Paris, 1979.
"Being and Subjectivity: Heidegger and Husserl", in Phenomenology in Perspective a cura di F. Joseph Smith, Nijhoff, The Hague, 1970, pp. 122-156.
"Mozart Revisited, K 550: the Problem of the Survival of Baroque Figures in the Classical Era", The Music Review, agosto 1970, pp. 201-214.
"Don Juan: Idealist and Sensualist" in Facets of Eros: Phenomenology Essays, a cura di F. J. Smith, Nijhoff, The Hague, 1972, pp. 67-105.
"Two Heideggerian Analyses", in Martin Heidegger in Europe and America, a cura di E. G. Ballard, C. E. Scott, Nijhoff, The Hague, 1973, pp. 171-182.
"Aesthetic Re-education: the Experiencing of Musical Sound", Music and Man, I, 1973. Ora in Smith Joseph, The Experiencing of Musical Sound: Prelude to a Phenomenology of Music, Gordon & Breach, New York/London/Paris, 1979.
"Musical Sound as a Model for Husserlian Intuition and Time", Journal of Phenomenological Psychology, IV, 1973, pp. 271-296. Ora in Smith Joseph, The Experiencing of Musical Sound: Prelude to a Phenomenology of Music, Gordon & Breach, New York/London/Paris, 1979.
"Prelude to a Phenomenology of Sound, Main Currents, XXX, 1973, pp. 12-17. Ora in Smith Joseph, The Experiencing of Musical Sound: Prelude to a Phenomenology of Music, Gordon & Breach, New York/London/Paris, 1979.
"Traditional Harmony? a Radical Question", The Music Review, 1974, pp. 63-75.
"Music Theory and the History of Ideas", in In Search of Musical Method, a cura di F. J. Smith, Gordon & Breach, London/New York/ Paris, 1976. Già in Music and Man, II, 1976.
The Experiencing of Musical Sound: Prelude to a Phenomenology of Music, Gordon & Breach, New York/London/Paris, 1979.
"The Negative Moment in an Open Dialectic of Music", Journal of Musicological Research, III, 1981, pp. 335-379.
"Sight or Sound: Primacy or Synaesthesis?" in Essays in Memory of Aron Gurwitsch, a cura di L. Embree, University Press of America, Pittsburgh/Washington, 1984, pp. 305-322.
"Variation in Music and Thought: a Critique of Factualism" in Understanding the Musical Experience, a cura di F. J. Smith, Gordon & Breach, New York/London/Paris, 1989, pp. 209-227.

Smith Gregory

"Past, Present, Future: Contemplating Music, Time and Heidegger", Sonus: A Journal of Investigations Into Global Musical Possibilities, XIV/1, 1993.

Sorenson Jack Eugene

Modalities of Musical Attention and Perception: A Phenomenological View of Aesthetics and Style.Ph. D. Diss., University of Washington, 1974

Sung-Il Kim Paul

Olivier Messiaen's 'Catalogue d'oiseaux' for Solo Piano: A Phenomenological and Style Analysis, Ph. D. Diss., New York University, 1989.

Tenney James

Recensione a Music as Heard di T. Clifton, Journal of Music Theory, XXIX/1, 1985.
Meta+Hodos: A Phenomenology of Twentieth-Century Musical Materials and an Approach to the Study of the Form, Inter-American Institute for Musical Research, Gilbert Chase, Vol I, Inter-american Institute for Musical Research, Tulane University, New Orleans, 1964. Ora edito in: Tenney James, Meta+Hodos + META Meta+Hodos, Frog Peak Music, Oakland, Ca, 1986.